EOS R6 Mark II, a 6ameChanger for Videos and Stills With 6K RAW and 40 fps
The new full-frame camera’s advanced video capabilities make it a viable option for professional video production. Its release is accompanied by the RF135mm f/1.8L IS USM and Speedlite EL-5
SINGAPORE, 2 November 2022 — Canon today announced several new additions to its lineup: The EOS R6 Mark II full-frame camera, RF135mm f/1.8L IS USM, and Speedlite EL-5.
More than just a successor to the popular EOS R6, the EOS R6 Mark II is a gamechanger that redefines Canon’s “6” series of cameras. It adds a host of professional video production features to overhauled basic performance and revved-up still shooting features, elevating it to become a stills and video powerhouse.
With features like 6K 60p RAW video external recording1, Canon Log 3, High Frame Rate Full HD 180p recording, and focus breathing correction, the EOS R6 Mark II caters to the needs of video producers and content creators seeking advanced video capabilities in a compact mirrorless camera body. Still-shooting wise, the EOS R6 Mark II offers up to 40 fps with AF/AE tracking—the fastest continuous shooting speed in the EOS camera system. This is accompanied by new and improved functions that enhance responsiveness and imaging prowess.
“With the increasing popularity of video content, the EOS R6 Mark II ensures that users will be well-equipped to seize the best of both worlds,” said Imasaka Daido, Director of Regional ICP Sales & Marketing, Canon Singapore. “Underlying our constant drive to meet ever changing demands, is our steadfast commitment to only deliver the best to our customers.”
EOS R6 Mark II: Meeting the Needs of Professional Video Workflows
For footage that maintains high quality even with intense post-processing, the EOS R6 Mark II records 6K RAW externally1 via HDMI, with Full HD proxy data simultaneously recorded to one of the two SD card slots for ease of editing. Internally, it is capable of high-quality 4K 60p video oversampled from 6K, and High Frame Rate video up to Full HD 180p, in addition to Canon Log 3 and HDR PQ video. With improved heat management, unlimited2 continuous recording of 4K 30p is now possible.
An alternative Quick Control screen that resembles those on Cinema EOS cameras provides an intuitive interface for users using the EOS R6 Mark II alongside the Cinema EOS system.
Video: Seamless Creative Expression
The EOS R6 Mark II is the first Canon EOS camera to support focus breathing correction, which reduces unwanted changes in angle of view during focus transitions. This complements existing features such as AF speed adjustment, providing greater control over focus transitions which is crucial for expression.
In addition to the existing zebra display, the EOS R6 Mark II is equipped with the false colour function widely used in the Cinema EOS system, making it easier to adjust exposure even in tricky conditions.
Two other video features making their full-frame EOS camera debut are:
- Pre-recording for movies: A staple feature on Cinema EOS cameras, this allows users to capture moments that occur up to 5 seconds before the record button is pressed, reducing the need to “record on standby”.
- Hybrid Auto Mode: This records a video 2-4 seconds before shutter release during still image shooting and automatically compiles them into a digest movie for the day, providing readily available video content to suit a variety of purposes.
Video: High-quality Livestreams with UVC/UAC Compatibility
The EOS R6 Mark II supports UVC (USB Video Class) and UAC (USB Audio Class) protocols, enabling high-quality Full HD 30p video and audio to be delivered to a Windows/Mac OS computer in real time, making it ideal for livestreams, remote meetings, and computer-based video recording. Live streamers and content creators can now take full advantage of a full-frame camera and high-quality lenses through plug and play on both Windows and Mac OS.
Up to 40 fps Burst with AF/AE Tracking: Enhanced Detection and Tracking Capabilities
With its 40 fps continuous shooting capabilities in electronic shutter mode, the EOS R6 Mark II is the first EOS camera to go beyond 30 fps in AF/AE-tracked continuous still shooting capabilities. Mechanical shutter continuous shooting is up to 12 fps with AF/AE tracking.
The EOS R6 Mark II adds horses, trains, and aeroplanes to the existing subjects detectable by the deep learning-based algorithm. Users can specify right or left eye priority for Eye Detection AF in photo or video mode. They also have more flexibility to decide the subjects to be detected. The new “Auto subject detection” mode allows the users to automatically detect more than one type of subject within the same frame.
Tracking performance has been improved with the expanded application of deep learning technology to subject tracking. By extracting subject features based on deep learning, the camera can now maintain consistent tracking even with changes in posture, orientation, or ambient brightness. This applies to animals, vehicles, and other subjects of the user’s choice for both stills and videos.
Other noteworthy new features that aid responsiveness include:
- AI Focus AF mode: This automatically detects subject motion and switches between One-Shot AF and Servo AF modes, allowing better response to subjects with changing states of motion.
- Digital teleconverter: Increases the focal length by 2x or 4x with the touch of a button, allowing quick response to unexpected telephoto shooting moments without the need to change lenses3.
Still Image Quality: Newly Developed 24.2MP Image Sensor
The EOS R6 Mark II’s newly developed 24.2-megapixel full-frame image sensor achieves a higher pixel resolution than the 20.1-megapixel EOS R6, with new sharpness processing that achieves visual resolution surpassing even the 30.4-megapixel EOS 5D Mark IV. The native ISO speed is up to 102,400.
The EOS R6 Mark II is equipped with In-Body IS and HDR PQ HEIF recording. A new “Moving subject priority” HDR mode has been added, which helps to overcome the difficulty of creating HDR merges of moving subjects by achieving the same effect with just one shot.
Greater Connectivity: Supports 5GHz Connection, Easier Smartphone Connection
Faster wireless connections to smart devices are now possible as the EOS R6 Mark II supports both 5GHz and 2.4GHz wireless connections. Smartphone connectivity is also expanded, with Camera Connect app functions such as automatic data transfer and shutter release, which are now also possible via a wired USB connection. Data transfer to FTP servers is also supported via wired and wireless methods.
Designed for Durability and Power Efficiency
The EOS R6 Mark II features dual SD card slots for extra reliability, and a dust- and drip-resistant construction designed to support outdoor shooting. Designed for power efficiency, it can shoot up to 760 shots on a single charge using the LP-E6NH battery.
RF135mm f/1.8L IS USM: Faster Speed, Better Bokeh, Up to 8 Stops’ Image Stabilisation
Canon’s first professional 135mm prime lens for the RF mount is also currently the only 135mm lens in the market to be equipped with built-in optical image stabilisation4 with up to 5.5 stops. When combined with a compatible camera, it can achieve up to 8 stops of image stabilisation via Coordinated Control IS. Despite this new inclusion, it weighs only approximately 935g—lighter than some lenses with similar specifications but without image stabilisation.
It also boasts a larger f/1.8 aperture compared to its popular EF counterpart, which not only provides beautiful bokeh for excellent subject-background separation, but also allows faster shutter speeds in challenging lighting conditions.
AF is driven by the fast and smooth Nano USM, and focus breathing correction is supported, making the lens an ideal choice for video production. Two new customisable lens function buttons on the lens body provide intuitive control over various AF and/or exposure settings, allowing a swifter response to changing conditions.
As an L lens, the RF135mm f/1.8L IS USM features professional-grade optical, imaging, and build quality. The highly durable body, dust- and drip-resistant construction, high vibration shock resistance, and fluorine coating ensure excellent reliability even under harsh shooting conditions.
Speedlite EL-5: Function-laden, High-performance Professional Speedlite for EOS R Series Cameras5
Leveraging on the new 15-pin Multi-Function Shoe on some of the recent EOS R cameras, Speedlite EL-5 achieves faster and more stable communication with the camera, which improves overall performance and reliability. It allows additional functionalities such as wireless control via a smartphone.
Built for Speed: Fast Recycling Up to 0.1 Sec; At Least 95 Continuous Flashes at Full Output
Smaller, lighter, and more affordable than the Speedlite EL-1, the Speedlite EL-5 uses the same high-capacity rechargeable LP-EL lithium-ion battery but with better efficiency. It features a recycling time of approximately 0.1 to 1.2 seconds6 and can emit continuous flashes approximately 95 times or more7 at full output (GN 608).
Microflash as low as 1/1024 can be activated for situations that require fine lighting control.
Enhanced Connectivity: Expanded Wireless Functions for More Creative Freedom
Wireless flash functionality has been expanded - in addition to compatibility with wireless control as a transmitter and a receiver, the Speedlite EL-5 also supports wireless remote control of flash settings using a smartphone via the Camera Connect app. It shares the same dust- and drip-resistance quality as the EOS R5 body, ensuring stable performance.
About Canon Singapore Pte. Ltd.
Canon is a global leader in photographic and digital imaging solutions. Canon Singapore Pte. Ltd. is the headquarters for South & Southeast Asia driving sales, marketing and service strategies. Besides handling the domestic market, the company covers 22 other countries and regions including subsidiaries in India, Malaysia, Thailand and Vietnam. The parent company Canon Inc. has a global network of more than 300 companies and employs about 180,000 people worldwide. Canon is guided by its kyosei philosophy that focuses on living and working together for the common good.
More information is available at https://asia.canon.
1 With use of Atomos Ninja V+. In ProRes RAW 6K 59.94p 10-bit or ProRes RAW 3.7K 59.94p 12-bit. RAW movies cannot be recorded in the camera. RAW movies cannot be developed in the camera.
2 Recording duration limited by power supply and memory card capacity. SD card with UHS Speed Class 3 or higher.
3 The image quality will be reduced because the image is enlarged and recorded. JPEG shooting only. The AF frame is fixed at the centre point.
4 As of November 2022.
5 As of November 2022, the Speedlite EL-5 is compatible with the EOS R6 Mark II, and the EOS R3, EOS R7 and EOS R10 via a firmware update.
6 Based on Canon’s measurement standards, when using a new, fully charged LP-EL battery.
7 35 mm illumination coverage angle. Number of consecutive full flashes up to level 2 flash intensity, when using a new, fully charged LP-E1 battery. Based on Canon’s measurement standards using manual flash.
8 At ISO 100, with a 200 mm illumination coverage angle.
|Product Specifications||EOS R6 Mark II|
|Image Processor||DIGIC X|
|Image Sensor Camera Effective Pixels||Effective sensor size: Full Frame CMOS
Camera effective pixels: Max approx. 24.2 megapixels
|Metering System||384 zone (24 × 16) metering using image sensor output signals|
|Autofocus Method||Spot AF, 1-point AF, Expand AF area (above/below/left/right or around), Flexible Zone AF 1 / 2 / 3, Whole area AF|
|Image Stabilizer (IS) System||In-body 5-axis sensor-shift image stabilisation (Still/Movie)
Up to 8.0 stops effectiveness (Still)
Movie Digital IS
|Effective ISO||Stills: 100–102,400 (L:50 / H:204,800)
Movie: 100–25,600 (H:204,800)
Canon Log movies: ISO 800–25,600 (L:100-640, H:32,000 - 204,800)
HDR PQ movies: ISO 100–25,600
|Continuous Shooting||Mechanical shutter & Electronic 1st curtain: Up to 12 fps
Electronic shutter: Up to 40 fps
|Max Shutter Speed||1/16,000 sec. (Electronic Shutter)|
|Viewfinder||0.5-inch OLED, approx. 3.69 million dots
59.94/119.88 fps Refresh Rate
|Movie||4K UHD / 4K UHD Crop (3840 x 2160)
59.94 fps / 29.97 fps / 23.98 fps (NTSC)
50.00 fps / 25.00 fps (PAL)
Full HD (1920 x 1080)
179.82 fps / 119.88 fps / 59.94 fps / 29.97 fps / 23.98 fps (NTSC)
150.00 fps / 100.00 fps / 50.00 fps / 25.00 fps (PAL)
|HDMI RAW Output (External Recording)||ProRes RAW 6K (6000 x 3374)
59.94 fps / 29.97 fps / 23.98 fps (NTSC)
50.00 fps / 25.00 fps (PAL)
ProRes RAW 3.7K (3744 x 2106)
59.94 fps / 29.97 fps / 23.98 fps (NTSC)
50.00 fps / 25.00 fps (PAL)
|Maximum Movie Recording Time||6 hr. 00 min. 00 sec. (Normal movie)
1hr. 00 min. 00 sec. (High Frame Rate movie 180p)
• Dual Card Slots (SD, SDHC*, SDXC*)
* UHS-II cards compatible
|Power Supply||LP-E6NH / LP-E6N / LP-E6|
|USB Charging / Optional Power||Supports charging via USB Power Adapter PD-E1 / AC Power (AC Adapter AC-E6N and DC Coupler DR-E6)|
|Size||Approx. 138.4 × 98.4 × 88.4 mm|
|Weight||Approx. 670 g (incl. battery and memory cards)|
|Network||Wi-Fi / Bluetooth Low Energy Technology|
|Product Specifications||RF135mm f/1.8L IS USM|
|Focal Length||135 mm|
|Minimum Focusing Distance||0.70 m|
|Lens Construction||17 elements in 12 groups|
|Filter Size Diameter||Ø82 mm|
|IS (CIPA Standard Correction Effect)||Yes (up to 5.5 stops)|
|Coordinated IS||Yes (up to 8.0 stops)|
|Maximum Diameter and Length||Approx. 89.2 mm x 130.3 mm|
|Weight||Approx. 935 g|
|Product Specifications||Speedlite EL-5|
|Guide Number (ISO100, in meters/ft.)||60/196.9|
|Zoom Range||24 - 200 mm|
|Flash Output||1/1024 to 1/1|
|Flash Coverage Angle||14 mm* to 200 mm (*with wide panel)
- 20 mm flash coverage is not supported.
|Bounce Angle||120 degrees upward, 7 degree down & 180 degree horizontally (left and right)|
|Wireless Flash Function||Radio Transmission|
|Maximum Flash Count||Approx. 350 - 2450 with a fully charged battery pack LP-EL|
|Recharge Time||Approx. 0.1 to 1.2 sec.|
|Power Source||LP-EL lithium-ion battery pack|